Counter-Culture / Counter-Cinema: Underground with Andrew Meyer

Two films by Andrew Meyer and a film by Ron Rice
2 films
The latest edition of our ongoing series "Counter-Culture / Counter-Cinema" highlights two films by Andrew Meyer and a newly-restored work by Ron Rice. Programmed by David Fresko.

Films

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    Shades and Drumbeats
    Experimental

    Shades and Drumbeats
    Andrew Meyer

    16mm, color, silent, 25 min
    Rental format: 16mm
  • Read More
    Match Girl
    Experimental

    Match Girl
    Andrew Meyer

    16mm, color, sound, 25.5 min
    Rental formats: 16mm, Digital file
    • Body
    • Philosophical
    • Arts / Artists
    • Literarature / Theater
    • LGBT / Queer

Description

The latest edition of our ongoing series "Counter-Culture / Counter-Cinema" highlights two films by Andrew Meyer and a newly-restored work by Ron Rice. Programmed by David Fresko.

Andrew Meyer, unsung cineaste from the 1960s New York underground, made several groundbreaking films documenting alternative lifestyles, non-normative sexualities, and desire’s many modalities before immigrating to the West Coast to direct deliciously tawdry features for Roger Corman. A crucial figure whose stylistic features point to and borrow from the perverse pleasures of Jack Smith’s Flaming Creatures as well as Andy Warhol’s star-factory, Meyer’s work demonstrates not only the New American Cinema’s heterogeneity, but also its commitment to transforming cinematic practice into a vehicle for counter-cultural activity. 

 

PROGRAM:

Andrew Meyer, Shades and Drumbeats. 1964. 25 min. 

Andrew Meyer, Match Girl. 1966. 26 min.

**Screening with a newly restored print of Ron Rice's Chulum!**

 

Programmed by David Fresko.